*/* – / Another visual reference thing.

Part of the Dreimorgen Hub

09.09.2009 Monstrosus

Cyclopic Horse - metal engraving - Immanuel Ruben. Descriptio Anatomica Capitis Foetus Equini Cyclopici. Berolini : Formis Haynianis, Plate 1 - Dr: Vogel et Kromeyer ad nat del; F. Guimpel Sc.Characters of good spirits, Characters of evil spirits - metal engraving - Francis Barrett. The Magus, or Celestial Intelligencer. London: Lackington, Allen, and Co., Temple of the Muses, 1801. Page 782 - F. Barrett Del.; R. Griffith Sculp.; Pub. by Lackington & Allen; hand-colored. magical symbols, labeledMarchocias - J.A.S. Collin de Plancy. Dictionnaire Infernal. Paris : E. Plon, 1863. Page 445 - the grand marquis of hell appears as a fierce wolf with griffon’s wings and serpent’s tail and spits fireIconismus I. Ponatur è regione; Fig. I. Centaurus.; Fig. II. et III. Satyri - metal engraving - P. Gasparis Schotti. Physica Curiosa, Sive Mirabilia Naturæ et Artis Libris. Herbapoli (Wurzburg) : J. A. Endeteri & Wolfgangi, 1667. Page 357, Plate 1 - This remarkable centaur has arms instead of forelegs, a feature that greatly accentuates the human/animal hybrid aspect of the mythIconismus XX. Ponatur è regione; Fig. XXXIII. Gallus Monstrus; Fig. XXXIV. Humana effigies monstrosa in uvo anserino; Fig. XXXV. Humana effigies in uvo, loco capillorum et barbæ habens colla et rostr - metal engraving - P. Gasparis Schotti. Physica Curiosa, Sive Mirabilia Naturæ et Artis Libris. Herbapoli (Wurzburg) : J. A. Endeteri & Wolfgangi, 1667. Page 617, Plate 20 Baël - woodblock - J.A.S. Collin de Plancy. Dictionnaire Infernal. Paris : E. Plon, 1863. Page 71 - Demon described in le Grand Grimoire as being high among the infernal powers ... he teaches those that invoke him to disappear at will.Manifestations of Apparitions - woodblock - D. Eberhard David Hauber. Biliotheca Acta et Scripta Magica. Lemod : Joh. Heinrich Mener, 1739. Page 1228 - Traces left by a revenant on a pact, burn marksL’Abbé Guibourg - Roland Brévannes. L’Orgie Satanique à Travers les Siècles. Paris : Offenstadt, 1904. Page 204, Plate 12* - An unusual (though not uncommon) allusion to the practice of the black arts by Catholic priests

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